"It would be easy to praise You, Me, Us purely for its cultural significance, and that significance is real: this is a record that gives space to composers whose stories are too often pushed to the margins, released at a moment when that visibility carries real stakes. But what elevates the album beyond advocacy is simply how good the playing is. May and Li never coast on the strength of their material’s message, they play every single piece as if it’s the most important music ever written, and that conviction is contagious. Few chamber albums this year balance craft, courage, and heart so completely."

"A body of work that’s powerful, pertinent and uplifting, the stories of struggle, love, and self-discovery are fleshed out here with a tremendous impact."

"As the record unfolds, you get all of these different fields and just lively pieces... with performances that are spot on but always have a passion behind them. I love hearing performances like this because they remind you what can be done on the instruments."

"Saxist Nick May joins together with pianist Alex Siu Lun Li for a collection of modern pieces. The pieces have a contemporary classical feel to them, with May’s soprano penetrating on Where Will My Flowers Go..."

Music for saxophone and piano celebrating queer narratives and works by Sebastian Zhang, Stuart Beatch, Aaryn S. Ricucci-Hill, Darius D. Edwards, Jennifer Higdon, Xenia St. Charles Iris Llyllyth, and Spencer Arias

"What resonates here is more than sound art—it's a dialogue about visibility. The pieces are composed exclusively by queer composers, whose voices are often left in the background. The result: music that fights, heals, and celebrates."